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am Cassandre - Dubonnet poster

This version was saved 14 years, 5 months ago View current version     Page history
Saved by Kirsten Larsen
on October 9, 2009 at 3:38:57 pm
 

 

Adolph Jean Édouard-Marie Mouron Cassandre

 January, 14th/1901 - June 17th/1968

 

"A poster, unlike a painting, is not, and is not meant to be, a work easily distinguished by its 'manner' - a unique specimen conceived to satisfy the demanding tastes of a single more or less enlightened art lover. It is meant to be a mass-produced object existing in thousands of copies - like a fountain-pen or automobile. Like them, it is designed to answer certain strictly material needs. It must have a commercial fashion."

 

- Adolphe Mouron Cassandre

 

 

 

       AM Cassandre was born in the Ukraine in 1901 to french parents. At the age of 14 they moved to France where he studied art and design at École des Beaux-Arts and also at the Académie Julian. He worked at the Hachard printing house at the Place de la Madelaine in Paris up until 1922, eventually saving enough money for a studio. The Au Bûcheron' (1923) was one of his first works and it won the first prize at the Exposition Internationale des Arts Décoratifs in 1925

 

 

In the 1930's he co-founded one of the world’s first specific advertising and design agencies called the Alliance Graphique with fellow artists Charles Loupot and Maurice Moyrand. Not only did he influence the design world he had a major impact on the, travel, advertising, jazz, fashion and typography worlds. His art is a reflection of the post World War era. The time between the two wars greatly effected art, travel and design.

 

Charles Lupot

 

 

He suffered from deep depression later in life and took his own life in 1968.

 

 

 Advertising World

 

 

 

 

The Dubonnet was the first of many eye catching ad campaignes that he had created which influenced the idea of billboards, the style of the poster was influenced by 1930's Art deco images and typefaces. These posters are a brilliant representaiton of the humour and playfulness behind his ideas.

 

"The fast cadence of DUBO, DUBON, DUBONNET is appealing for its almost rhythmic syncopation, but there is something else going on here—in addition to the sophisticated verbal and graphic tricks, Cassandre used a more fundamental aspect of humor to achieve the final result, an activity called the “play principle." - Steven Heller "Is there anything funny about Graphic Design?"

 

 

His posters where influenced by Cubism, which was an early 20th century art movement that included artists such as Pablo Picasso and Georges Braque.

 

Some Examples of Cubism

 

 

 

Picasso     Braque

 

 

Cassandre’s posters reflect the avant-garde tendencies of the time (1920's - 30's),  as well as the modern industrialized atmosphere of Paris. His poster designs directly effected Parisian poster art, creating the structure of Paris painting and mechanizing it. The style of the posters allowed Polish grapic designers to hone their skills and edge,  the artists found ways to express sedition versus ideas. Which influenced the Propaganda posters of World War 1 and 2. Propaganda stems from Latin meaning -  "that which ought to be spread".

 

His posters had evolved to become apart of the machine in the industrial marketing world.  Cassandre designed many posters ranging from manufacturing, shiping lines, railways, shops, news papers and industrial companies, all of his work takes a departure from realism. The idea was that people in trains and cars were able to see and grasp the idea of the poster. This became one part of the marketing strategy which relied on repitition to commnicate to the public.

 

 

His poster designs had clear influences on other designers such as Jaccques Nathan - Garamond's "Mazda Plantina" which is a direct influence by Cassandre's 1935 "Nicolas"

 

"Mazda Plantina"     "Nicolas"

 

 

Typography World

 

His love of letters helped him grow and move on to become a major influence on type design in France moving on to create several new type faces which are still used to this day. In 1923 he paired up with Deberny & Peignot who where the directors of the very famous and very succesful self titled type foundry, together they develped new type faces, this would result in the most inovative type design in the 20th century.

 

In their time spent together Cassandre and Charles Peignot would create six fonts; Bifur (1929), Acier ( 1930), Acier Noir (1936), Peignot(1937),Touraine(1947) and Cassandre(1968- which is interesting because that is the year that he killed himself) His type design was mostly focused on capital letters, because he felt that lower case letters were inferior. The fonts Bifur and Peignot had been created to relect the superior form of the capital letter. The two fonts had been created as capitial letter only fonts, Cassandre believed that it was easier for the printing press.

 

The Cassandre font (named after himself) is similar in style to that of the Yves Saint Laurent font the he had created about 5 years prior.

 

 

Fashion world

 

 

 

 

   Using one of his many type faces, in 1963 Cassandre desinged the Yves Saint Laurent logo, the world rnoun is still used to this day, making it arguably one of his biggest influences that impacts the world to this day.

 

From the period of 1936 to 1939 Cassandre lived in New York. He worked as a freelance commercial artist. Which is where he did the cover designs for the fashion magazine Harper's Bazaar.

 

 

References:

 

wikipedia for bio' s and other info of - AM Cassadre, Picasso, Braque, Cubism,

 

Google.com for images of - Picasso, Braque, Yves Saint Laurent logo, "Nicholos", "Mazda Plantina", Cubism Logos,

 

Harper's bazzar website for link and refernece to magazine

 

Yves Saint Laurent website for link and reference to logo and site

 

www.rodcollins.com for info, bio and images

 

A.M. Starmer PDF - "A.M. Casandre"

 

Steven Heller (AIGA) link to and excerpt from "Is there anything funny about Graphic Design?"

 

My fonts.com

 

 

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